Bells & Forks ®

διαλέγοντας ορισμούς.

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έντουαρντ έστλιν. (x2)

έντουαρντ έστλιν. (x2)


"Μα κιόλας η Ζωζέ δεν είχε πια τα χείλη της κολλημένα στα δικά του κι ο Μπερνάρ έμαθε έτσι πως μπορεί κανείς να φιλά κάποιον άλλον στο στόμα, ακόμη και στην πιο πολυάνθρωπη δεξίωση, χωρίς να το προσέξει κανένας." — Françoise Sagan, Τα Θαυμάσια Σύννεφα
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(via whoamitofeelsopretty)


"Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now." — Virginia Woolf, The Waves
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The Reckless Serenade indications

The Reckless Serenade indications


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scheissezeitgeist:

"I got in a discussion about being a woman in power electronics and the guys were so condescending and not listening to a word I was saying. I shouldn’t have been affected by their stupidity but as I was playing they were staring at me in the front row and I ended up beating myself up with the microphone in the middle of my set right in front of them. I had a broken face for weeks." Puce Mary in Distort #43

scheissezeitgeist:

"I got in a discussion about being a woman in power electronics and the guys were so condescending and not listening to a word I was saying. I shouldn’t have been affected by their stupidity but as I was playing they were staring at me in the front row and I ended up beating myself up with the microphone in the middle of my set right in front of them. I had a broken face for weeks." Puce Mary in Distort #43

(Source: drangsal, via punkasjarson)


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"Le cinéma, disait André Bazin, substitue à notre regard un monde qui s’accorde à nos désirs. Le Mépris est l’histoire de ce monde.”

"Le cinéma, disait André Bazin, substitue à notre regard un monde qui s’accorde à nos désirs. Le Mépris est l’histoire de ce monde.”